
Animal Antics in Medieval Tapestries
Who knew medieval tapestries were the ultimate storytelling hack? These colorful, woven masterpieces weren’t just about looking fancy—they were the medieval equivalent of a viral meme, loaded with hidden meanings. And the stars of the show? Animals. Each critter was carefully picked to drop a little message, whether it was a moral, religious, or social mic-drop. Let’s break it down!
1. The Lion: The Original Hero
What It’s About:
The lion was basically the medieval version of a superhero. It symbolized courage, power, and royal swagger—think of it as the furry bodyguard of kings, strutting its stuff in both earthly and divine realms.
In the Wild (Historical Style):
Lions roared their way onto coats of arms and even got a shout-out in the Bible with “The Lion of Judah” (Genesis 49:9), cementing its connection to Christ and divine authority.
Cool Example:
The Apocalypse Tapestry (14th century, France) at Château d'Angers features the lion as a divine protector during the Last Judgment. Now that’s one majestic cameo!
Reference:
Pastoureau, M. (2007). The Lion: Symbol and History. Harvard University Press.
2. The Eagle: High-Flying Visionary
What It’s About:
The eagle soared into medieval art as the emblem of divine power, wisdom, and a killer bird’s-eye view. Linked to St. John the Evangelist, this high-flyer was all about seeing the bigger picture.
In the Wild (Historical Style):
Medieval bestiaries even claimed the eagle could reinvent itself by flying too close to the sun—a sort of ancient “rise and shine” routine.
Cool Example:
The Baldishol Tapestry (Norway, c. 12th century) showcases eagle motifs that remind us: sometimes, you need to keep your head in the clouds to catch a glimpse of the divine.
Reference:
Camille, M. (1996). Image on the Edge: The Margins of Medieval Art. Harvard University Press.
3. The Lamb: Adorable and Sacrificial
What It’s About:
The lamb wasn’t just cute—it was the poster child for innocence, sacrifice, and redemption. Picture it as the original “pure and tender” icon, always reminding folks of Christ’s redemptive magic.
In the Wild (Historical Style):
Known as the Agnus Dei (Lamb of God), this little guy was everywhere in church art, symbolizing divine mercy and grace.
Cool Example:
The Ghent Altarpiece Tapestry (15th century, Belgium) places the lamb front and center on an altar, surrounded by angels—a divine group photo if there ever was one!
Reference:
Evans, H. (2017). The Cloisters: Medieval Art and Architecture. The Metropolitan Museum of Art.
4. The Serpent: Sneaky, Sinful, and Sometimes Wise
What It’s About:
The serpent got a pretty bad rap—often the poster child for deceit and temptation (thanks, Genesis 3). But don’t count it out; in some corners of medieval lore, it also symbolized wisdom and transformation (shout-out to the Ouroboros!).
In the Wild (Historical Style):
While the Bible pegged the snake as the tempter linked with Satan, some medieval bestiaries celebrated its role in rebirth and healing. A creature with dual personalities? Count us in!
Cool Example:
The Adam and Eve Tapestry (16th century, Flanders) features a serpent lurking around the Tree of Knowledge, tempting Eve with forbidden fruit. A timeless cautionary tale of “look before you leap!”
Reference:
Flores, N. (2018). Animals in the Middle Ages: Symbolism and Representation. Routledge.
5. The Dove: The Peaceful Party Animal
What It’s About:
When it came to peace and purity, the dove was the ultimate symbol—think of it as the original harbinger of good vibes. In Christian art, it screamed “divine presence” and “all is well.”
In the Wild (Historical Style):
Doves brought hope and renewal; remember Noah’s Ark? One dove even returned with an olive branch, sealing the deal on peace and God’s covenant.
Cool Example:
The Holy Spirit Tapestry (15th century, Spain) features a dove gracefully descending from the heavens, a sure sign that the divine was keeping an eye on things.
Reference:
Spicer, A. (2007). The Dove in Sacred and Secular Art. Oxford University Press.
6. Mythical Creatures: Unicorns and Griffins—Medieval Fantasy at Its Finest
The Unicorn: Pure Magic
What It’s About:
Unicorns were the medieval icons of purity, chastity, and a dash of Christ-like mystery. Legend had it that only a virgin could tame these elusive beasts—talk about exclusive club vibes!
Cool Example:
The Hunt of the Unicorn Tapestries (15th century, France) tells the dramatic tale of a unicorn’s capture and sacrifice, a wild allegory for Christ’s Passion and resurrection.
Reference:
Barber, R. (1992). Bestiary: The History of Animals in the Middle Ages. Boydell Press.
The Griffin: The Ultimate Hybrid Hero
What It’s About:
With the body of a lion and the wings of an eagle, the griffin was the medieval multitasker—symbolizing strength, divine justice, and vigilant protection. It’s like having the best of both worlds on your heraldic team.
Cool Example:
The Apocalypse Tapestry (France, 14th century) features griffins standing guard over sacred scenes, ensuring that divine order wasn’t taken lightly.
Reference:
Weigert, L. (2015). Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity. Cornell University Press.
Wrap-Up: Tapestries—The Medieval “Silent Sermons”
Medieval tapestries weren’t just eye candy; they were the ultimate silent sermons—educational tools that dished out moral, religious, and philosophical lessons with every stitch. Each animal was carefully chosen to deliver a specific message, guiding medieval audiences on their cosmic journey through life. Even today, these intricate works continue to captivate scholars and art lovers, offering us a timeless peek into the symbolic language of medieval Europe.
Further Reading & References:
- Pastoureau, M. (2007). The Lion: Symbol and History. Harvard University Press.
- Camille, M. (1996). Image on the Edge: The Margins of Medieval Art. Harvard University Press.
- Evans, H. (2017). The Cloisters: Medieval Art and Architecture. The Metropolitan Museum of Art.
- Flores, N. (2018). Animals in the Middle Ages: Symbolism and Representation. Routledge.
- Spicer, A. (2007). The Dove in Sacred and Secular Art. Oxford University Press.
- Barber, R. (1992). Bestiary: The History of Animals in the Middle Ages. Boydell Press.
- Weigert, L. (2015). Weaving Sacred Stories: French Choir Tapestries and the Performance of Clerical Identity. Cornell University Press.
Craving more tapestry tales or extra sources? Just give me a shout!